We are currently not accepting any more manuscript submissions or queries.
The Nasiona will publish several book-length nonfiction manuscripts (paperback and Kindle) each calendar year that align with our mission. We are primarily interested in publishing emerging authors who have yet to publish their first book, but we will also consider established authors. The following is our wish list:
- Nonfiction poetry collection
- Creative/narrative nonfiction collection (between 1,000 and 6,000 words per piece in the collection; 40,000-70,000 words)
- Flash Creative Nonfiction (each piece in the collection must be under 1,000 words; 40,000-70,000 words)
- Book-length memoir (40,000-70,000 words)
Current published titles:
Mixed, by Nicole Zelniker; foreword by Julián Esteban Torres López
Vestiges of Courage: Collected Essays, by Mireya S. Vela; foreword by Terry Wolverton
PLACES & NAMES: Poems, by Carl Boon
Marx’s Humanism and Its Limits: Why Marx Believed We Should Achieve Socialism and Communism Nonviolently, by Julián Esteban Torres López
HUSBAND FATHER FAILURE: Poems, by KG Newman
Reporting on Colombia: Essays on Colombia’s History, Culture, Peoples, and Armed Conflict, by Julián Esteban Torres López
“Give Us a Smile”: Collected Essays and Interviews on Womanhood and Trauma, edited by Aïcha Martine Thiam and Julián Esteban Torres López
Blueblood: Essays & Poems, by Robin Gow
Scraps: A Life in Piecework (Collected Essays), by Rachel Laverdiere
So You Want to Get Published: An Inside Look at What It Takes, with Industry Experts, by Natalie Gasper and Julián Esteban Torres López
The definition of families is widening, whether it’s because of mixed-race relationships, interracial adoption, or numerous other factors. Today, it is important to hear from a growing population about race, their shifting identities, and what family means to them. At the heart of the issue are the mixed-race families. Many mixed-race children have had difficulties fitting in, whether with one race or the other. In mixed-race relationships, one partner may face racism, while the other may not, or else they will experience racism in different ways. Children who have been adopted into families that identify as a race that is not theirs often find that they struggle to fit in with their families as well as with people who identify as their own race. Not only are these families navigating US American culture at large, but they also must navigate their own family structures and what it means to be mixed.
About the Author
NICOLE ZELNIKER is a graduate of the Columbia Journalism School and an editorial researcher with The Conversation US. Her work has appeared on The Pulitzer Prizes website and in USAToday and Yes! Weekly, among other places. A creative writer as well as a journalist, Nicole has had several pieces of poetry published including “Cracks in the Sidewalk” (Quail Bell Magazine) and “Surge” (The Greenleaf Review), as well as three short stories, “Last Dance” (The Hungry Chimera), “Dress Rehearsal” (littledeathlit), and “Lucky” (Fixional). Mixed is Zelniker’s first book.
Praise for Mixed
“While race has no biological basis, in the US it is culturally real. Combining personal stories and research, Nicole Zelniker sensitively explores that reality as it relates to identity struggles in a variety of multi-race family structures. Mixed is a valuable resource for biological offspring of biracial couples; for adoptees from racial/ethnic traditions different from their adoptive parents; and for biracial couples, both gay and straight, considering parenthood. Teachers and relatives whose lives these families touch are sure to gain valuable insight as well.”
—Nancy Werking Poling, author of Before It Was Legal: A Black-White Marriage (1945-1987)
“At a time when US society is being ripped asunder by division, we are more inclined than ever to retreat to our tribes, where we believe we are more likely to find safety and understanding. But what happens when you belong to more than one tribe, when your identity doesn’t neatly slide into a particular slot? In Mixed, Nicole Zelniker deftly explores the fascinating conflicts and confusion that often course through the daily lives of people sitting on the bubble between two communities, two different worlds. These are existences that our society desperately needs to understand, to welcome, to celebrate—for this is the American future.”
—Nick Chiles, Pulitzer Prize-winning journalist and New York Times bestselling co-author of The Rejected Stone: Al Sharpton and the Path to American Leadership
“Mixed will be a tremendous resource for those trying to understand why race still matters in the 21st century US. The interviews offer depth and richness in expressing the lived experience of racially mixed families and their children in the age of Trump. Zelniker’s work exposes the myth of colorblindness that many white residents of the US still cling to, but must relinquish when they love someone of color. To love someone is to understand at least something about how they live, and Mixed presents in collage a portrait of mixed-race families and the confusion, frustration, love, and deep communication that exists in real relationships across the color line.”
—Lisa McLeod, Professor of Philosophy and co-lead of the Understanding Racism Workshop at Guilford College
“There is always scope to learn more about what it means to be mixed. This book makes an important contribution to this burgeoning literature, with its insight and portrayals of the many different mixed experiences that have yet to come to light.”
—Miri Song, Professor of Sociology and author of Multiracial Parents: Mixed Families, Generational Change, and the Future of Race
“Through the stories of a deeply diverse array of people, we learn more than we could imagine about what it means to be multiracial. This beautifully-crafted book unites these stories so that we peel them back, layer after layer to find delight, shame, joy, confusion, acceptance, prejudice, pain, optimism, and so many more life experiences. Mixed is a necessary work that adds nuance to the national discourse about race in the United States.”
—Amina Chaudhri, author of Multiracial Identity in Children’s Literature: Reading Diversity in the Classroom
“This book, rich with direct and honest voices speaking across and beyond racial lines, could not be more timely. Drawing on both the historical record and contemporary data, Zelniker straightforwardly frames what it has meant and means to be mixed race in America, while creating a refreshing and necessary space for people and stories that have too often gone unheard in our conversations about culture and individual identity. With a journalist’s sensitivity, she deftly stands back to let her interview subjects speak for themselves. The result is a collection of encounters that is as authentic as it is informative. As a mixed-race American, I deeply appreciated the accuracy and clarity of this book–but most of all the way it listens to the candid and varied and complex voices that lie at its heart. Highly recommended.”
—Mylène Dressler, author of The Last to See Me and Associate Professor of English
Vestiges of Courage is a collection of personal essays that explores inequities and injustice. Raised between two cultures and two languages, Mireya S. Vela discusses how the systems in her family and in society worked to create an abusive environment that felt crushing, confusing, and hopeless. In her book, Ms. Vela delineates her experience of living through sexual, physical, and emotional abuse. This book is much more than a collection of experiences, though. Ms. Vela wants to know how and why abuse thrived in her family. She digs deep to understand why these things happened and how she survived.
About the Author
MIREYA S. VELA is a creative non-fiction writer and researcher in Los Angeles. In her work, Ms. Vela addresses the needs of immigrant Mexican families and the disparities they face every day. She tackles issues of inequity and how ingrained societal systems support the (ongoing) injustice that contributes to continuing poverty and abuse. Ms. Vela received her Bachelor’s degree in English from Whitter College and received her Master of Fine Arts from Antioch University in 2018. She is also a visual artist.
Praise for Vestiges of Courage
“In language direct and wry, dancing between her family’s past and her children’s present, Mexico and California, English and Spanish, Vela makes us look—and hear and feel—the myriad forms of silencing and suffering visited upon women, children, immigrants, the poor, the unwell, and the unconforming by contemporary America’s preoccupation with border lines, color lines, and every other rigid norm of the clueless and the powerful.”
—Christine Hale, author of A Piece of Sky, A Grain of Rice: A Memoir in Four Meditations and Basil’s Dream: A Novel
“Crossing the borderlands between Mexico and the US, Mireya Vela has created an astringent collection of essays, with an unflinching honesty that burns through stories of cruelty and violence that threads through generations. In this pastiche of memoir stories, written with luminous, elegant sentences, we see the brave heart of a girl determined to survive and ultimately to thrive.”
—Sarah Van Arsdale, author of Towards Amnesia and Blue: A Novel
“The patriarchy needs its submissive women in order to know itself, but Mireya Vela subverts the animalistic desires and perpetual alpha-male apathy by powerfully illuminating the burning wisdom that fans the secret flames in female hearts.”
—Tim Cummings, author and actor
“Mireya Vela writes to the bone. Her words cut through the gauzy untruths that divide us—about womanhood, about violence, about language, about justice—and celebrate the hard-won hope that’s stored in the body. These true stories will take your breath away. Read them.”
—Ana Maria Spagna, author of Uplake: Restless Essays of Coming and Going
“This book may be called Vestiges of Courage, but there is nothing wispy about the bravery exhibited in these stunning essays—Vela’s courage rises, full force, off every single page.”
—Gayle Brandeis, author of The Art of Misdiagnosis: Surviving my Mother’s Suicide
In 2015, after a landmark medical study proved that the early inclusion of peanut in the diet of infants prevents peanut allergy, Ron Sunog, MD, set out to develop a great first peanut food for infants. When most physicians and parents did not embrace this important new information, Dr. Sunog was determined to understand why. Eat The Eight examines how difficult it is to acquire and understand good medical evidence, the complex web of reason and emotion through which people filter medical information, and the imperative to thoughtfully temper the science of medicine with the art of medicine. Parents will learn how a healthful diet can be key to reducing their infant’s risk of developing food allergy.
Paperback: USD $15.00
Kindle: USD $7.99
About the Author
DR. RON SUNOG grew up in New York, earned his MD at Boston University’s accelerated six-year medical program, completed his Residency and Chief Residency in pediatrics at Boston City Hospital, and has been in pediatric practice for over thirty years. He lives near Boston with his family and has a longstanding interest in healthy eating.
Praise for Eat The Eight
“An entertaining and provocative book that explores the evidence behind infant feeding advice. Clearly, it is time for pediatricians to recommend that infants ‘Eat the Eight!’”
—Carolyn Sax, MD, Assistant Clinical Professor of Pediatrics, Harvard Medical School
PLACES & NAMES: Poems, by Carl Boon
The poems in Carl Boon’s debut collection, PLACES & NAMES, coalesce two kinds of history—the factual and the imagined—to produce a kind of intimacy that is greater than either fact or imagination. It is this sense of intimacy that brings the poems to life. We encounter real places sometimes—places we see on maps and highway signs—but also places that exist only in the imagination. We encounter names that are both recognizable and almost—or barely—remembered at all: Robert E. Lee next to one of a thousand men named Jackson who went to fight in Vietnam; Jorge Luis Borges next to an unknown boy from Clarita, Oklahoma, who himself would become a poet someday; a man who wishes he were Rocky Marciano hammering the heavy bag in Northeast Ohio, hungry for more than beans or soup. And suddenly it becomes clear how intimately connected in this collection these places and names are as we range from Saigon to northern Iraq; Athens, Ohio, to Libya; Ankara to Pittsburgh; and a strange, sleepy place called Pomegranate Town where someone’s infant dozes in the back of a car on a seaside highway. The people who inhabit these places seem, in a sense, to become those places, inseparable from their geographies and histories, often unable to escape, bound by memory, nostalgia, and tradition.
Paperback: USD $15.00
Kindle: USD $7.99
About the Author
CARL BOON’s poems have appeared in hundreds of journals, magazines, and anthologies in the U.S. and abroad, earning him nominations for the Pushcart Prize and the Best of the Net Award. He is currently preparing his second collection of poems, tentatively titled Ahmet Yılmaz Lives—a book that will reflect his interest in imaginative biography more fully.
Praise for PLACES & NAMES
“Carl Boon’s vivid and timely poetry is tuned to a rare frequency—one not often seen in American poetry—and plays nuanced, insightful and generous songs. In its engagements, its capacity to capture fleeting landscapes and moments, this collection sneaks up on you and disturbs your equilibrium in the best possible way.”
—ANN TOWNSEND, author of The Coronary Garden
“As the title suggests, PLACES & NAMES aspires to a panoramic authority whereby Carl Boon can visit any life anywhere (especially Southeast Asia, Turkey, and the USA) since the Sixties and find a twist of pathos there. Such ambition, with such insistence on the local and visible (“the boy // on his unruly skateboard, / the wasp in the fig tree”), calls to mind Robert Lowell’s History, or the more recent work of such poets as David Wojahn, Campbell McGrath, and Angela Sorby. The ironic effect of such eclectic specificities is a pervasive rueful sense that human longing and loneliness remain the same everywhere.”
—MARK HALLIDAY, author of Thresherphobe